Thursday, August 11, 2022

Back at the MCA: Forothermore and more

This week I went to the MCA with a cousin who was visiting from out of town. As with the Art Institute, I hadn't been there since the pandemic began. I'm glad I went. 

Everyone's been talking about Forothermore, the big solo exhibition of Nick Cave's work. I was familiar with his Soundsuits, but hadn't seen the rest of his body of work. I took pictures of the portions of the show that I found particularly striking.



an installation of mobiles in the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA


the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA


Of all the birds in his work, his use of bald eagles is especially compelling. They appear as such menacing figures, an appropriate symbol of the tortured dynamic between the United States of America and African-Americans.


the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA

the Nick Cave Forothermore show at the MCA


I also liked this piece by Wendy Red Star, which was featured in the Based on a True Story exhibition on the first floor.

"The Last Thanks" by Wendy Red Star


And I love Firelei Báez's gorgeous mural in the lobby.

Firelei Báez: Untitled (Drexciya)


Forothermore is on view until October 2nd and I would definitely recommend seeing it if you can.

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