There are two great shows at the
Smart Museum right now:
Solidary & Solitary and
Smart to the Core: Embodying the Self.
Solidary & Solitary features work by Black abstract artists. As a Black abstract artist myself, I was so excited to see such work get recognition. I had actually planned to go to the opening reception but because the weather was so bad last week, I went there today instead. Most of the work in the show is from the collection of of Pamela Joyner, a Black art collector. There is also art that was commissioned specifically for the show. The description of the show contains a passage that particularly resonates with me:
For Black artists, abstraction is charged with the refusal of
representation that is socially dictated, both by racist stereotypes of
the dominant culture, and the pressure from within the Black community
to create positive imagery. Abstract art as a practice embodies the
possibility of individual freedom and autonomy, even within larger
social identities.
I felt that.
Smart to the Core: Embodying the Self is an exhibit inspired by a University of Chicago core course in the social sciences called Self, Culture, and Society (that many students jokingly referred to as Self-torture and Anxiety when I was a student there). A lot of the work in this exhibition is about the individual in conflict with society, particularly those with marginalized identities.
This piece was a collaborative work made by
Amanda Williams based on the writing of Chicago journalist
Natalie Moore, who recently authored a book about segregation on the South Side of the city. The red carpet is symbolic of the
redlining policy that enforced segregation in Chicago.
|
Amanda Williams, Roll out the Red Carpet to White Flight (They Didn't Pitch Tents in the Open Prairie) |
Both shows are on view until May 19th. The Smart Museum is on the campus of the University of Chicago in Hyde Park and admission is free.
Visit their website for directions and hours.
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