Second Floor, Second Friday, Second Chance

Good news: If you missed the opening for the Make Something Real show, you will have a second chance to get a signed art book from me in October! My solo show will be on view until the beginning of November. At my second Second Friday event, I will be selling signed copies of Make Something Real, The Unforeseeable Future, and The Doll Project, as well as mini paintings and handmade jewelry, all for less than what I sell them for online.

Friday, October 10th

5 - 9 p.m. 

The Fine Arts Building  

Second Floor Gallery 

410 South Michigan Avenue 

Downtown Chicago 

Still can't make it? Here are the building hours if you'd like to visit at another time:

Monday-Friday

7 a.m. – 10 p.m.

Saturday

7 a.m. – 9 p.m.

Sunday

9 a.m. – 9 p.m.

The show features artwork from 2009 until now. Several recent pieces, including the titular Make Something Real, are now available for purchase for the first time.

Second chances don't always come around, so take advantage of this one!

An excerpt from my new book, 'Make Something Real'

My goal is to publish an art book every 3 years, and since my last book, The Unforeseeable Future, came out in 2022, this is the year for my new release! The new book is entitled Make Something Real. Like all of my books from Imperfect Things onward, the title comes from one of the artworks I made during the time that the book covers. 2022 to 2024 was definitely an interesting time! The blurb and an excerpt are below:

Is a life put on hold still a life worth living? Torn between wanting to participate in art shows and not wanting to get exposed to COVID, I was haunted by the feeling that life was passing me by. I felt like I was living my life in captivity, missing all its forgone pleasures.  This wasn’t the future I wanted. This wasn’t the world I wanted to live in.  I wasn’t the woman I wanted to be. Being an artist was a leap of faith and I was getting tired of jumping. 

In a world of artifice and denial, what still mattered? The pursuit of normal at any cost had led to a culture of complacency and resignation, warnings unheeded, lessons unlearned. The aftermath of an ongoing crisis that most of the world deliberately ignored was a time of missed opportunities and impossible choices. Just when I needed them the most for publicity, the internet platforms I had come to rely on made it harder for my work to be seen, as tech disruption left upheaval and destruction in its wake. Would my newfound social media sites and online communities help me connect with a new audience, or would my participation in them only further tech oligarchs’ nefarious goals? 

Though making art is my escape, this book is also about what I was trying to escape from. Finding solace in creating art in a world on the precipice of disaster, I have made this book an archive of three years of art, grief and grievances.